Nestled on the quaint periphery of West Hollywood, The Volunteer Assistance League of Southern California is a drastic shift in scenery from the concrete and steel contemporary domain of Miguel Contreras. With its French doors, bow windows, and ivy-lined exterior, the two-story American Colonial evokes a classic Hollywood ambiance, the perfect environment for brilliant writing. The main entrance welcomes you into a majestic hall adorned with oak flooring, a winding staircase, and luxurious bergère sofas fit to accommodate even the most grandiloquent of tea parties. Our workshop was set in a private ballroom illuminated by cascading chandeliers and sunlight that flooded through open windows with a view of the sparkling fountain in the courtyard.
This month’s workshop theme was Creative Non-Fiction/Journalism, one of my personal favorites. We welcomed a surfeit of well-versed and distinguished women journalists as workshop guests, including LA Weekly’s nightlife virtuoso, Lina Lecaro, Tabby Biddle of Huffington Post, The New Yorker’s Dana Goodyear, CNF novelist Maggie Nelson, Molly Palmer of NBC’s Today, and Molly Hennessy-Fiske, Erika Hayasaki, and Deborah Vankin of The Los Angeles Times. We kicked off the day with writing activities that placed mentees at themed journaling stations based on various aspects of journalism and creative non-fiction. Mentees, as well as alumni like me, had the opportunity to interview guests and obtain beneficial insight into the field of journalism. The day culminated with mentees reading reports of their own and receiving constructive professional appraisal of their works.
From listening to Dana Goodyear, a successful Yale grad, speak about personal creative principles that were similar to my own, to hearing Lina Lecaro, an influential club-culture savant, speak glowingly of her 4-year old daughter, I was reminded that these journalists were real women, with real-life experiences who work hard each day doing what they love— something that really resonated with me. No matter how apparently different these women seemed, they were united by a passion for edifying society. That is what the fundamental ethos of journalism is all about.
This particular workshop has always held a very special place in my heart, but this time, being a part of the workshop from the ground-up, seeing things from a more comprehensive perspective, and connecting with women I have a high regard for on a more personal level inspired me all over again, and were powerful reminders of what impelled me to pursue a career in journalism.









